Programme – Days of Dutch Culture

 

Krisztina de Chatel Rooms, Object Worx and Solo VI

Dutch contribution to the European Dance Festival

Dates: 25 and 26 September

Location: Baltic House

Dansgroep Krisztina de Chatel

Loos Ensemble

 

Fringe Programme 24 September: workshops and lectures

 

All dance companies will give a short introduction to their work before their performances.

 

Rooms

Krisztina de Châtel’s work is characterised by the partnerships and confrontations with different artists she often initiates. Her latest production Rooms, which was made in collaboration with music ensemble LOOS was first presented at the Theater aan het Spui in The Hague on 25 April 2002. Following this premiere, the performance toured Holland until 12 June 2002. Six dancers and four musicians are locked in a metal construction of several small rooms. ‘Shielded' by metal, the dancers are isolated; from each other and from the outside world. Slowly they increase their freedom of movement. They re-arrange the space by unfolding, and re-uniting the high walls of perforated metal. The music for Rooms was composed by Patricio Wang, who also composed the music for the earlier Krisztina de Châtel productions Thron (1984) and Sequence in 1991. Wang's music will be performed live on stage by the LOOS ensemble, which was founded by composer and musician Peter van Bergen in 1982. Since then the ensemble has grown to be an internationally leading avant-garde ensemble. LOOS represents a musical idiom, a musical vision and a relationship between music and society. The ensemble is also famous for its experiments in form and content and the musical and visual suspense created by the musicians on stage. This is why the musicians will appear on stage together with the dancers. The stage has been designed by Mike van de Lagemaat. Lighting design is by Niko van der Klugt.

Solo VI

 

Krisztina de Châtel regularly creates pure dance pieces in which she can concentrate on the specific qualities of her dancers. Solo VI was made especially for Wen Cheng Lee, inspired by his Taiwanese background. In this solo, video material, made in close co-operation with visual artist Quirine Racké, features prominently. Choreography: Krisztina de Châtel / Premiere: 12 February 1999, de Toneelschuur, Haarlem / Dancer: Wen Cheng Lee / Music: Dirk Haubrich / Costumes: Emmy Schouten / Video: Quirine Racké / Lighting design: Niko van der Klugt

 

Objectworx

In Objectworx, the moving body is presented as an object. Not as an inanimate object, but as part of an installation which stresses the three-dimensional aspects of the body. The choreographer's fascination to see the moving body from different angles at the same time inspired the development of a video installation which shows the body as a moving and spatial object. The installation will also allow the audience to choose from which position they would like to view the dancer. The dancer's movements were filmed from four different angles at the same time. These four movement sequences will be shown on four rotating screens simultaneously, so the dancer is surrounded by her own images. She moves between the screens and interacts with the constantly changing space. The shifting, duplication and insertion in movement and projection create tension between time and space. The installation 'invites' the audience to choose their own position with respect to the dancing bodies. Choreographer: Krisztina de Châtel / Installation: Bart Visser / Premiere: 30 March 2001, Ludwig Forum (Aachen) / Dance: Cecilia Moisio / Music: Dirk Haubrich / Coach: Sjoukje Osinga / Lighting design: Bernie van Velzen

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